The Last Days of December

‘no you to be found’

The initial session that David Sylvian and Dai Fujikura held with musicians from the International Contemporary Ensemble (ICE) in New York yielded material for their first-released collaboration, ‘Five Lines’, together with string parts that were intended for incorporation into Manafon but were ultimately omitted from that album’s mixes. By the time of the second session with ICE, there was an agreed vision for a project based around re-imaginings of the Manafon material, a number of the tracks with the benefit of Fujikura’s string arrangements (read more here).

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Small Metal Gods – Random Acts of Senseless Violence – variations

‘fascinatingly original and protean’

Died in the Wool came about in an incremental fashion,’ said David Sylvian of his 2011 double-cd set containing “variations” of tracks from 2009’s Manafon alongside a number of new pieces. ‘Wheels were unintentionally put into motion whilst I was still working on Manafon. I’d met Dai [Fujikura] in London, where he’d expressed a desire to work together. We’d continued an in-depth conversation via email regarding potential future projects. At some point it seemed like a good idea to test the water to see if we were speaking the same language.’

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When We Return You Won’t Recognise Us

‘the interior life of a community’

March 2009. The venue is on the north-east coast of Gran Canaria, the near-circular island surrounded by the Atlantic Ocean. Part of a Spanish archipelago but geographically much closer to Africa. In fact, at its closest point, Morocco is less than a hundred miles to the East. Centro Atlántico de Arte Moderno (CAAM, or the Atlantic Centre of Modern Art) in Las Palmas has dedicated exhibition space to the second architecture and art biennial of the Canary Islands, with parallel presentations taking place at a number of venues across Gran Canaria.

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A Certain Slant of Light

A new catalyst for composition

The vocal disc of David Sylvian’s 2011 album Died in the Wool comprises pieces that fall into three categories: variations on tracks from his Manafon album created by contemporary classical composer Dai Fujikura, Manafon variations crafted by Punkt festival founders Jan Bang and Erik Honoré, and six compositions appearing here for the first time.

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